Mother's Say Special Battle Of The Groups (The Spinners Versus The Whispers) Live On The Instant Classic Legends Show
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Type : Public Event
Details:The Spinners were the greatest soul group of the early '70s, creating a body of work that defined the lush, seductive sound of Philly soul. Ironically, the band's roots lay in Detroit, where they formed as a doo wop group during the late '50s. Throughout the '60s, the Spinners tried to land a hit by adapting to the shifting fashions of R&B and pop. By the mid-'60s, they had signed with Motown Records, but the label never gave the group much consideration. "It's a Shame" became a hit in 1970, but the label continued to ignore the group, and dropped the band two years later. Unsigned and featuring new lead singer Phillipe Wynne, the Spinners seemed destined to never break into the big leagues, but they managed to sign with Atlantic Records, where they began working with producer Thom Bell. With his assistance, the Spinners developed a distinctive sound, one that relied on Wynne's breathtaking falsetto and the group's intricate vocal harmonies. Bell provided the group with an appropriately detailed production, creating a detailed web of horns, strings, backing vocals, and lightly funky rhythms. Between 1972 and 1977, the Spinners and Bell recorded a number of soul classics, including "I'll Be Around," "Could It Be I'm Falling in Love," "Mighty Love," "Ghetto Child," "Then Came You," "Games People Play," and "The Rubberband Man." Wynne left in 1977 and the Spinners had hits for a few years after his departure, but the group will always be remembered for its classic mid-'70s work.Originally, called the Domingoes, the Spinners formed when the quintet members were high school students in the Detroit suburb of Ferndale in 1957. At the time, the group featured Bobbie Smith, Pervis Jackson, George W. Dixon, Billy Henderson, and Henry Fambrough. Four years later, they came to the attention of producer Harvey Fuqua, who began recording the group -- who were now called the Spinners -- for his Tri-Phi Records. The band's first single, "That's What Girls Are Made For," became a Top Ten R&B hit upon its 1961 release and featured Smith on vocals. Following its release, Dixon was replaced by Edgar "Chico" Edwards. Over the next few years, the group released a series of failed singles, and when Tri-Phi was bought out by Motown in the mid-'60s, the Spinners became part of the larger company's roster. By that time, Edwards had been replaced by G.C. Cameron.Though the Spinners had some R&B hits at Motown during the late '60s, including "I'll Always Love You" and "Truly Yours," they didn't have a genuine crossover success until 1970, when Stevie Wonder gave the group "It's a Shame." Motown never concentrated on the Spinners, and they let the group go in 1972. Before the band signed with Atlantic Records, Phillipe Wynne replaced Cameron as the group's lead vocalist. Wynne had previously sung with Catfish and Bootsy Collins.At Atlantic Records, the Spinners worked with producer Thom Bell, who gave the group a lush, seductive sound, complete with sighing strings, a tight rhythm section, sultry horns, and a slight funk underpinning. Wynne quickly emerged as a first-rate soul singer, and the combination of the group's harmonies, Wynne's soaring leads, and Bell's meticulous production made the Spinners the most popular soul group of the '70s. Once the group signed with Atlantic, they became a veritable hit machine, topping the R&B and pop charts with songs like "I'll Be Around," "Could It Be I'm Falling in Love," "One of a Kind (Love Affair)," "Ghetto Child," "Rubberband Man," and "You're Throwing a Good Love Away." Not only were their singles hits, but their albums constantly went gold and charted in the Top 20.Wynne left the band to pursue a solo career in 1977; he was replaced by John Edwards. Though none of Wynne's solo records were big hits, his tours with Parliament-Funkadelic were well received, as were his solo concerts. In October 1984, he died of a heart attack during a concert in Oakland, California. The Spinners, meanwhile, had a number of minor hits in the late '70s, highlighted by their disco covers of "Working My Way Back to You" and the medley "Cupid/I've Loved You for a Long Time." During the early '80s, they had several minor hits before fading away from the charts and entering the oldies circuit, reprising their earlier material for 1999's new studio effort At Their Best. Bobbie Smith, who sang lead on several of the Spinners' '70s hits including "I'll Be Around" and "Could It Be I'm Falling in Love," died from complications of pneumonia and influenza in March 2013.
Formed in the Watts section of Los Angeles, California, USA in 1964, soul group the Whispers were originally comprised of Nicholas Caldwell (5 April 1944, Loma Linda, California, USA), twin brothers Wallace and Walter Scott (b. 23 September 1943, Fort Worth, Texas, USA), Marcus Hutson (b. 8 January 1943, St. Louis, Missouri, USA) and Gordy Harmon. The group recorded its first single, ‘It Only Hurts For Awhile’, for Dore Records but it was not until 1969 that they reached the R&B charts with ‘Time Will Come’, on the Soul Clock label. Their first Top 10 soul record, ‘Seems Like I Gotta Do Wrong’, followed in 1970 and the group switched to Janus Records for the next four years, during which time Leaveil Degree (b. 31 July, 1948, New Orleans, Louisiana, USA) replaced Harmon. In 1975 the group switched labels again, to Soul Train, and scored such hits as ‘One For The Money’ and ‘Make It With You’, a remake of the Bread pop hit. The Soul Train label evolved into Solar Records in 1978, where the Whispers stayed for 10 years, reaching their commercial peak. Emphasizing lush arrangements and sweet vocal harmonies, the group earned hits with the US number 1 R&B single ‘And The Beat Goes On’, which also reached number 2 in the UK pop chart. The group continued their success in the US R&B charts with six Top 10 entries; ‘Lady’ (1980), ‘It’s A Love Thing’ (1981, also a UK Top 10), ‘In The Raw’ (1982), ‘Tonight’ (1983), ‘Keep On Lovin’ Me’ (1983), ‘Contagious’ (1984), and another R&B number 1 and their only US Top 10 pop entry, ‘Rock Steady’, in 1987. Maintaining the same line-up, the group signed to Capitol Records in 1990, releasing More Of The Night, which still stressed a refined, slick soul sound. In 1993 the Scotts began recording as Walter And Scotty, releasing the My Brothers Keeper album. They carried on working with the Whispers, however, who chalked up 30 years in the music business the following year